5 Foreword

7 Introduction to What Do Museums Collect?

I.              COLLECTING OTHERS IN CONTEMPORARY ART MUSEUMS: DIVERSITY AND INCLUSION BEYOND POST-COLONIAL DISCOURSES

17 Re-collecting, Re-classifying, Re-ordering: Indigenous Art and the Contemporary Australian Art Field / Tony Bennett

41 Museum Collecting: The Origin of the Concept and the Acceptance of Contemporary Otherness / Shan Lim

51 What Does the MMCA Collect? / Yup Jang

77 Global Korea, Multiculturalism, and Discourses of Otherness: Cosmopolitanism and Contemporary Art Exhibits / Kristina Dziedzic Wright

95 Unsettling the Center/The Other Divide: Collection Building and the Curatorial Strategy at the National Gallery Singapore / Lisa Horikawa 107 Recalibrating a Collection: Guggenheim UBS MAP Global Art Initiative / Joan Young 119 Postmodern Praxis: Representation of the Dilemma in Representing the Other / Hyosil Yang

II.             STRATEGIES AND REMEDIATION OF COLLECTING IN CONTEMPORARY ART MUSEUMS: REWRITING ART/HISTORY, DIGITAL HUMANITIES, AND DESTINATION OF ARTWORKS

135 Why Collect Now? If So, How?: Challenges to Modern and Contemporary Art Museums / Terry Smith

161 A Survey of the Exhibition Hello World: Revising a Collection / Sven Beckstette

177 When Archives Become Form: Collections, Information, and Access / Emily Pugh

191 New Materialities and New Collecting: Future Exhibiting and Audiences after New Media Art / Beryl Graham

207 Life and Death of Works of Art / Sunhee Jang

225 Towards a Sustainable Art Practice / Inhwan Oh